Showing posts with label characterization. Show all posts
Showing posts with label characterization. Show all posts

Saturday, July 7, 2012

Random Name Generators

I've mentioned a couple of times on Twitter lately that, if you know you're going to have to mass murder a bunch of characters, start with a lot of characters so you have some to choose from and some left over afterward.

But how do you name lots of characters?

Random name generators!

Some reasons to use random name generators:

  • Easier on your brain. 
  • Kinda fun. 
  • Easy to deliberately populate your book with a good mix of ethnicities and backgrounds. 
  • Hides your "naming tics," like some authors without knowing it name their characters only sweeping, romantic names, or names that only begin with the letters A-G, etc. 

Some of my favorites: 

Behind The Name : One of my favorites. Includes first. middle, and last names, plus you can restrict the search by gender, by many, many ethnicities (Maori, Catalan, Provencal, Galician, Breten, Frisian, Czech, and Slovak, to name a few), and/or by other categories. Other categories include Goth (excellent for vampyres,) Greek myth, Hinduism, Ancient Celtic, Biblical, Literary, Kreatyve, Hillbilly, Hippy, and Transformer. Includes Native American names that are real names, not like "Little Foot Redfeather" or "Dances With Wolves." Does not have a Mexican ethnicity, which is odd. Also only gives you one name at a time.

Ultimate Random Name Generator : Another favorite. Can restrict search by gender and a list of some ethnicities, including Mexican. Gives you a long list of names rather than one at a time.

Let's face it, you don't have to carefully craft the names of minor characters, especially when they're just going to all die horribly in Chapter 7.

TK Kenyon



Wednesday, July 27, 2011

What is your character's lack and compensation?

All good, round, deep characters have a flaw. Sometimes it's a tragic flaw; sometimes, it's a fatal flaw. Other times, it's the shattered facet that keeps a character human.

So what's a flaw?

Often, it's a lack of something.

If a character feels a lack of something, it motivates him. Often, nearly always, this character has a goal that symbolizes, to him/her, the satisfaction of this inner, private need.

It could be love (too many to mention), success, money (all the Nero Wolfes), affection for his family (It's a Wonderful Life,) , a family, safety from a criminal (Silence of the Lambs), a certain level of society (The Great Gatsby,) etc.

In short, it is anything that threatens your character's sense that s/he controls his/her own destiny.

When a person is aware of such a lack, they are ill at ease. They try to compensate. More on compensation tomorrow.

Friday, July 22, 2011

Your Main Character and Books

What kind of fiction does your main character read?

Do they not read fiction because "it isn't real"?

Do they read only horror novels with lots of slippery blood and torture of young women? Even if your MC is a young woman?

Do they read only bestsellers that the NYT picks out for them?

Do they not read fiction but have an extensive library in the living room so it looks like they do?

Only DWMs? Only living LBGT writers of color?

Only highbrow lit that Oprah thinks is too tough for her viewers?

Only sword and sorcery fantasy? Even if they're a brain surgeon? Or a Wiccan palm reader, to get ideas?

Only 99c ebooks, to spite the major publishers? Or because they're chinsy? Or because they like new writers? Or because they won't read a publisher that published Snookie?

Only $15.99 ebooks because those self-published writers can't be any good since they haven't jumped through the appropriate hoops and paid their dues?

Wednesday, July 20, 2011

Ways to Tag a Character: Attitude

There are four major ways to tag a character: 


2) Speech 

3) Mannerisms 

4) Attitude -- also called traits: the habitually apologetic, the fearful, the easy-breezy laugh, the careful vanity, an obsequiousness ingrained from surviving rounds of layoffs, an ex-general accustomed to snapping orders and immediate obedience, preoccupation with a single subject (golf, babies, one's own health, a religion or political stance, a perfect lawn, fishing, retribution for a minute perceived wrong or for the murder of one's child, etc.) quick to take fey offence at any perceived insult to his status in the peerage, an innate bravery when the most powerful wizard in the world keeps trying to kill you.


Thanks for reading!
Here’s two interesting 99c short stories for you to read: (More fiction coming soon.)
Nag Is Hindi for Cobra (All Formats)

Tuesday, July 19, 2011

Ways to Tag a Character:

There are four major ways to tag a character:

1) Appearance

2) Speech

3) Mannerisms --  clutching a sheaf of sliding papers, spinning a e-reader like a basketball, a toddler who scowls, a servile but furious house-elf, a girl who flutters, an eye-dodger, an earlobe-tugger, a tic, a twitch, a hand-washer, a doodler, a nose-picker, an ex-smoker who can't let go of a phantom cigarette, a seat-squirmer.


Thanks for reading!

Here’s two interesting 99c short stories for you to read: (More fiction coming soon.)
Nag Is Hindi for Cobra (All Formats)

Monday, July 18, 2011

Ways to Tag a Character: Speech

There are four ways to characterize.

1) Appearance.

2) Speech -- New Yawker or Southern drawl; an affected 19th-century manner, the vocabulary of a wharf whore or a Georgia preacher's wife; an autodidact or a lazy bum; a manager of a factory farm with a master's in ag science and a minor in botany/genetics or a dirt farmer; do-diddy rappin' or the King's English; and stutter, stammer, or clenched throat. One's profession, hobbies, religion, family, background, and education change speech.


Thanks for reading!
Here’s two interesting 99c short stories for you to read: (More fiction coming soon.)
Nag Is Hindi for Cobra (All Formats)

Friday, July 15, 2011

Ways to Tag a Character: Appearance

There are four major ways to tag a character:

1) Appearance -- cobalt blue eyes, burnt sugar skin, emaciated physique with umbrella-ribs torso, grimy fingernails, mango orange hair, mourning black hoop-skirted dress, sunburn on one side of the face, only wears designer business suits, dark roots under platinum Marilyn Monroe blonde hair, mom ponytail, a fat toddler grown six feet tall, a lightening bolt-shaped scar on his forehead, an Adonis but for his crooked teeth, a wretch but for her kind and clean smile, chest hair like a tiny bear skin rug glued to his skin, bald and lumpy like a golf ball, one eye higher than the other, a brass prosthetic nose, huge herpes lesion on his upper lip, etc.

More to come.


Thanks for reading!

Here’s two interesting 99c short stories for you to read: (More fiction coming soon.)
Nag Is Hindi for Cobra (All Formats)

Wednesday, July 13, 2011

How to Introduce a Character in Your Story or Novel

To introduce a character, whether the main character at the beginning or a new character somewhere in the middle, you need three things:

1) The character must be a character. 

They can't be flat or shapeless. They can't be neutral or wussy. They have to be for or against something. That's important. You have to give your reader something to react to. You can have them hate or love the character, but the reader has to have a reaction.

2) The first time he appears, the character should perform an act that characterizes him. 

This goes back to Sunday school: don't listen to what people say, watch what they do. Your reader will watch what the character does, and it should be something important. Is he a thief? Have him steal something. Is he honest? Have him give back a nickel to make correct change. Generous and sweet? Have him over-tip the waitress after charming her.

And make that waitress important later.

If he's not generous and sweet, have him charm the waitress and then stiff her.

That doesn't mean to make the charecters flat. You can add contrast later, and should. Just show what they essentially are, in their core, first. More about adding contrast in these posts:

http://tkkenyon.blogspot.com/2011/06/contrast-makes-your-writing-more.html
http://tkkenyon.blogspot.com/2011/07/3d-characters-easy-formula.html

3) The characterizing act must be both pertinent and characteristic. 

That means you should show the most important characteristic of your character, not a side characteristic. If he's supposed to be courageous, don't show first how kind he is, etc.


Thanks for reading!
Here’s two interesting 99c short stories for you to read: (More fiction coming soon.)
Nag Is Hindi for Cobra (All Formats)

Tuesday, June 14, 2011

Naming your Main Character: Would Rose McGowan or Charlie Rose Smell As Sweet?


Through the looking glass, Lewis Carroll's Alice stumbles upon an enormous egg-shaped figure celebrating his un-birthday. She tries to introduce herself:
"It's a stupid name enough!" Humpty Dumpty interrupted impatiently. "What does it mean?"
"Must a name mean something?" Alice asked doubtfully.
"Of course it must," Humpty Dumpty said with a short laugh: "My name means the shape I am - and a good handsome shape it is, too. With a name like yours, you might be any shape, almost."



Dare you use something symbolic as a name for your character? 


Symbolic names occur so often in real life.


Dirty twitter pics by Rep. Weiner. 


Financial rape by Ken Lay. 


Bernie Made-off with your money. 


Martha Stewart = steward, someone who runs a household.


Shakespeare used Proteus for a changeable character (2 Gents of V), Malvolio as an ethically challenged Puritan (12th Night, and then J.K. Rowling used "Marvolo" for Tom Riddle/Voldemort's middle name), the narrator Rumor (2 Henry 4), and Falstaff as his base alter ego (Fall-staff = Shake-spear, both are moving sticks.)


Dare you!



Thanks for reading!

Here’s two interesting 99c short stories for you to read: (More fiction coming soon.)
Nag Is Hindi for Cobra (All Formats)